Caroline Walker Bynum Distinguished University Professor of English
LINDA GREGERSON 's fourth book of poems, Magnetic North, was a finalist for the 2007 National Book Award and is about to appear in paperback (fall 2008). Her earlier books include Waterborne (2002), The Woman Who Died in Her Sleep (1996) and Fire in the Conservatory (1982), as well as two books of criticism, Negative Capability (2001) and The Reformation of the Subject (1995). Her awards include the Kingsley Tufts Poetry Prize, an Academy Award in Literature from the American Academy of Arts and Letters, the Levinson Prize from Poetry magazine, the Consuelo Ford Award from the Poetry Society of America, grants and fellowships from the Institute for Advanced Study, the Ingram Merrill Foundation, the National Humanities Center, the National Endowment for the Arts, the Guggenheim, Mellon, Rockefeller and Bogliasco Foundations. Gregerson is the Caroline Walker Bynum Distinguished University Professor of English at the University of Michigan.
Linda Gregerson on the Workshop
Our aim in workshop is at once very simple and very complex: we make it our business to become an adaptable and rigorous critical readership for one another's work-in-progress. We use the workshop as an occasion to broaden formal and thematic range, to refine editorial skills, to share questions, enthusiasms, and generous skepticism. Our primary focus is on the current work submitted by members of the class, but we also read selected work by other poets, generally contemporaries in mid-career.
This term, I asked each member of the workshop to teach a single 45-60 minute session on poetry that was neither her own nor that of another member of the workshop. Workshop members chose groups of poems or individual volumes of poems that raised questions or issues of urgency for us in our own writing. We tended to focus on work we admired, but we also considered poetry that seemed to us to fail in some major way, or to cheat, to take admirable risks with mixed results, or to explore unpredictable intersections of voice and form and subject matter. We also found this an invaluable opportunity to consider questions of structure and sequencing in book-length collections of poetry, questions of immediate relevance to those who are now assembling the MFA thesis.A sample from Linda Gregerson's work:
From The Woman Who Died in Her Sleep, "Fish Dying on the Third Floor at Barneys," published by Houghton Mifflin Company.
Magnetic North (Houghton Mifflin, 2007); Waterborne (Houghton Mifflin, 2002; Negative Capability: Contemporary American Poetry (University of Michigan, 2001); The Woman Who Died in Her Sleep (Houghton Mifflin, 1996); The Reformation of the Subject: Spenser, Milton, and the English Protestant Epic (Cambridge University Press, 1995); Fire in the Conservatory (Dragon Gate Press, 1982); Essays in ELH, Criticism, Prose Studies, Milton Studies, The Kenyon Review and numerous anthologies; poems, reviews, review-essays in Poetry, The Atlantic, Partisan Review, Grand Street, Parnassus, Ploughshares, New England Review, The Yale Review, The Best American Poetry, The Pushcart Prize Anthology, Triquarterly.
Department Areas of Study: American: Twentieth-Century American; British: Early Modern, Seventeenth- and Eighteenth-Century British; Creative Writing; Drama and Performance; Poetry and Poetics; Transatlantic; Women's Literature
Primary: Literature and culture of the English Renaissance; historical subject formation; the politics of Reformation and early modern nationalism; Petrarchan lyric; Elizabethan and Stuart drama; contemporary American poetry; creative writing.
Secondary: History and theory of performance