Throughout the 20th century, both scholarship and commerce have shaped "American music" and "American musical life" in racially binary terms — namely, white and Black. This seminar will examine music production, marketing, consumption, and journalism in the United States, through the lens of a racial politics of culture. How can we account for both inclusions and exclusions within constructions of "American music" and "American musical life"?
Course Requirements:
Course requirements include active participation in class discussion, brief weekly writing tasks, a major term research project, and a final synthetic essay exam.
Intended Audience:
Enrollment restricted to first-year students
Class Format:
This seminar combines readings from multiple disciplines, listening assignments, and viewing of documentary films.