What is behind the resurgence of conspiracy in contemporary film and
TV shows such as Homeland? What can paranoid films tell us about the
politics of a nation at war with terror, or worried about an enemy
infiltrating our borders — an enemy that often looks exactly like us?
Is this a new phenomenon, or is paranoid thinking "as American as
apple pie," as one political historian writes? In this intensive
first-year seminar, we'll watch films noir, conspiracy films,
contemporary remakes, and surveillance art; we'll also learn how to
talk and write about film critically.
Films may include: Invasion of the Body Snatchers (1956); The
Manchurian Candidate (1962); The President's Analyst (1967); Chinatown
(1974); The Conversation (1978); JFK (1991); The Girl with the Dragon
Tattoo (2002); Homeland (2011)
Texts may include: Thomas Pynchon, The Crying of Lot 42; Emily
Apter, On Oneworldedness: or Paranoia as a World System; Wendy Chun,Control and Freedom: Power and Paranoia in the Age of Fiber Optics;
Michel Foucault, Discipline and Punish: The Birth of the Prison;
Mark Fenster, Conspiracy Theories: Secrecy and Power in American
Culture; Frederic Jameson, The Geopolitical Aesthetic