HISTART 351 - The Art and Poetry of Michelangelo
Section: 001
Term: WN 2013
Subject: History of Art (HISTART)
Department: LSA History of Art
Credits:
3
Requirements & Distribution:
ULWR
Cost:
>100
Advisory Prerequisites:
HISTART 102 or 251.
Repeatability:
May not be repeated for credit.
Primary Instructor:

The life and art of Michelangelo Buonarroti offers a rich context for the study of verbal and visual invention in early modern Europe. For his contemporaries—and for many later generations—Michelangelo exemplified the ideal artist postulated in the art theory of Renaissance Humanism. The course will examine Renaissance theories of style and invention as a means of grasping the rhetorical strategies and poetic "figures" that inform both his rough-hewn sonnets and eloquent marbles. Hence we will attend closely to a number of well known sheets that show the artist thinking on paper in both line sketches and fragments of verse. Central topics include Michelangelo’s use of classical models, such as the Belvedere Torso and the Laocoön sculpture group; his Neoplatonic theories of artistic inspiration; his preoccupation with the body as a source of visual and verbal metaphor; the intensely religious character of his devotion to craft and physical beauty; and his self-fashioning as a grouchy genius who slept in his boots. We will consider the vocabulary, topics and genres of his poetry—notably the sonnet, the madrigal and the epitaph—as well as the language employed by contemporary critics and admirers of his art, such as Vittoria Colonna, Giorgio Vasari, Ascanio Condivi, Giovanni Paolo Lomazzo, Pietro Aretino and Ludovico Dolce. In order to observe the figurative effects of his handling of materials (facture) we will make close inspections of Michelangelo’s drawing techniques, his use of color in oil and fresco and his treatment of stone surfaces. In the course of the term we will study, in brief or at length, a considerable portion of his production in sculpture, painting and architecture, particularly in works commissioned for the court settings of Medici Florence and Papal Rome. Required books: The Poetry of Michelangelo, trans. James Saslow, Yale University Press, 1991. Giorgio Vasari, Lives of the Artists (Volume I), trans. George Bull, Penguin, 1987. Ascanio Condivi, Life of Michelangelo, trans. A. S. Wohl, 2nd ed. Penn State University Press, 1999. Anthony Hughes, Michelangelo, Phaidon, 1997. Michael Harvey, The Nuts and Bolts of College Writing, Hackett, 2003. D. 3

HISTART 351 - The Art and Poetry of Michelangelo
Schedule Listing
001 (LEC)
P
26238
Open
25
 
-
MW 10:00AM - 11:30AM
NOTE: Data maintained by department in Wolverine Access. If no textbooks are listed below, check with the department.


Coursepack Location:
Accy-Copy, 518 E. William, after 10 AM, cash only
Note:
All books required, including the writing handbook
ISBN: 0872205738
The nuts & bolts of college writing, Author: Michael Harvey., Publisher: Hackett Pub. Co. New ed. 2003
Required
ISBN: 9780714834832
Michelangelo, Author: Hughes, Anthony., Publisher: Phaidon Press 1997
Required
ISBN: 0300055099
The poetry of Michelangelo : an annotated translation /by, Author: James M. Saslow., Publisher: Yale University Press 1st pbk. e 1993
Required
ISBN: 0271018534
The life of MichelAngelo, Author: by Ascanio Condivi ; translated by Alice Sedgwick Wohl ; edited by Hellmut Wohl., Publisher: Pennsylvania State University Press 2nd ed. 1999
Required
ISBN: 9780140445008
Lives of the artists, Author: Giorgio Vasari ; a selection translated by George Bull. Vol.1., Publisher: Penguin. Reprinted. 1987
Required
Syllabi are available to current LSA students. IMPORTANT: These syllabi are provided to give students a general idea about the courses, as offered by LSA departments and programs in prior academic terms. The syllabi do not necessarily reflect the assignments, sequence of course materials, and/or course expectations that the faculty and departments/programs have for these same courses in the current and/or future terms.

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