This class examines the wide range and methods of feminists worldwide in approaching cinema. Focusing on theory, we consider how different feminists have discussed gender, sexuality, and race concerns before and behind the camera, advocating for how cinema should and should not work; theories of spectatorship and other ways to engage with the screen (perceptually, somatic, oppositional) and other topics. Frameworks include (but are not exclusive to) cultural studies, critical race theory, psychoanalytic and post-Marxist theory, queer and trans studies, which we will discuss within historical and ideological contexts.

Course Requirements:

Students will be assessed based on attendance, in-class and on-line assignments and participation, a midterm and final paper.

Intended Audience:

Advanced undergraduates interested in gender as represented in film, cinema and other media forms, as well as those in other all areas interested in some of the theoretical debates that screen media have raised in their 100+ year history.

Class Format:

The class meets twice weekly and has a dedicated screening time once a week.