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“A nineteenth-century epic. Imagine a Midwestern Middlemarch, if you will, that conjures the Gilded Age in a succession of sweeping panoramas and intimate portraits. Brenda Marshall puts me in mind of an American Sarah Waters, a writer at once in persuasive command of history and simultaneously able to slip beneath its skin to the story beneath. This is a vibrant, teeming work, filled with feeling, intelligence and ultimately, grace.”
Peter Ho Davies (author of The Ugliest House in the World, The Welsh Girl, and Equal Love)






























































































































