People

Departmental Areas of Study have been established to allow a visitor to quickly find members of our faculty who share a particular area of study. Click on any of the links below to find other faculty members who have noted their interest in the same areas or click on the link above to browse all faculty by area of study.

Renaissance drama; early modern cultural and gender studies; contemporary cultural, social, and literary theory; publics and counter-publics

Sixteenth- and seventeenth-century colonial discourse; post-colonial theory

“Liberties” and “Revenge Plays,” Entries for The Greenwood Shakespeare Encyclopedia, ed. Patricia Parker (Greenwood Press, forthcoming); “What’s Hamlet to Habermas?   Theatrical Publics and the Elizabethan Stage,” forthcoming in Making Publics Volume 2: Publics and Space, ed. Angela Vanhaelen and Joseph P. Ward (Pennsylvania, forthcoming); “Religion Inside Out: Dutch House Churches and the Making of Publics in the Dutch Republic,” co-authored with Angela Vanhaelen and Joseph Ward, in Making Publics in Early Modern Europe: People, Things, Forms of Knowledge, ed. Paul Yachnin and Bronwen Wilson (Routledge: 2009); “Affective Technologies:  Toward an Emotional Logic of the Elizabethan Stage,” in Environment and Embodiment in Early Modern England, ed. Mary Floyd-Wilson and Garrett Sullivan (Palgrave Macmillan:  2006):  71-89;  "Imaginary Conquests: European Visual Technologies and the Colonization of the New World Mind," in Early Modern Visual Culture: Representation, Race, and Empire in Renaissance England (U of Pennsylvania, 2000); "Reforming Resistance: Class, Gender, and Legitimacy in Foxe’s Book of Martyrs," in Print and the Other Media in Early Modern England (Ohio State UP, 2000); "The Place of Shakespeare’s Stage in Elizabethan Culture," Encyclopedia Britannica Presents Shakespeare’s Globe: Then and Now, located at http://www.eb.com:180/shakespeare/esa/660003.html; "Mourning and Misogyny: Hamlet, The Revenger's Tragedy, and the Final Progress of Elizabeth I, 1600-1607," Shakespeare Quarterly 45:2 (1994); The Place of the Stage: License, Play, and Power in Renaissance England (Chicago UP, 1988/Michigan UP, 1995); "Brothers and Others, or the Arts of Alienation," in Cannibals, Witches, and Diverse: Estranging the Renaissance (Johns Hopkins UP, 1987); "Strange Things, Gross Terms, Curious Customs: The Rehearsal of Cultures in the Late Renaissance," Representations 1 (1983); "Lying Like Truth: Riddle, Representation, and Treason in Renaissance England," ELH, 1980.