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Profile: Michael Schoenfeldt

Title: John R. Knott, Jr. Collegiate Professor of English / Department Chair
Degree:
Ph.D., UC-Berkeley  1985
Schoenfeldt

Contact Info

Office:

3187 AH

Phone:

734-647-7477

Uniqname:

mcschoen

email:

mcschoen@umich.edu

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Research Interests

Primary Interests

Renaissance literature; Renaissance history; Renaissance medicine; gender and cultural studies; religious studies.

Secondary Interests

Medieval; restoration; theory

Publications

“The Real Presence of Absent Puns: George Herbert’s ‘Love (III),’” in Shakespeare Up Close: Examining the Early Modern Text, ed. Nicholas Nace, Russ McDonald, and Travis D. Williams (Routledge, 2013).

“Metaphysical Poetry,” in the Princeton Encyclopedia of Poetry and Poetics, ed. Roland Greene (Princeton: Princeton University Press, 2012).

“Shakespearean Pain,” in Shakespearean Sensations, ed. Tanya Pollard and Katharine Craik (forthcoming Cambridge University Press, 2013).

“The Political Economy of English Departments,” ADE Bulletin, number  151 (2011), pp. 18-22.

The Cambridge Introduction to Shakespeare’s Poetry (Cambridge: Cambridge University Press, 2010).

“Marvell and the Designs of Art,” in the Cambridge Companion to Andrew Marvell, ed. Derek Hirst and Steven Zwicker (Cambridge: Cambridge University Press, 2011)"Eloquent Blood and Deliberative Bodies: The Physiology of Metaphysical Poetry," in Renaissance Transformations: The Making of English Writing, 1500-1650, ed. Thomas Healy and Margaret Healy (Edinburgh: Edinburgh University Press, 2010) , pp. 145-60.

"Aesthetics and Anesthetics: The Art of Pain Management in Early Modern England," in The Sense of Suffering: Constructions of Physical Pain in Early Modern Culture, eds. Jan Frans van Dijkhuizen and Karl Enenkel, in a special issue of Transactions (Leiden: Brill, 2009): 19-38.

"George Herbert’s Divine Comedy: Humor in The Temple," in Divisions on a Ground: Essays in Honor of Donald Friedman, co-edited with Kimberly Johnson and Richard Strier (a special issue of the George Herbert Journal, vol. 29, nos. 1 and 2 Spring 2006; published May 2008), pp. 45-66.

“’Give Sorrow Words’: Emotional Loss and the Articulation of Temperament in Early Modern England,” in Dead Lovers: Erotic Bonds and the Study of Premodern Europe, ed. Basil Dufallo and Peggy McCracken (Ann Arbor: University of Michigan Press, 2007), pp. 143-64.

"The Sonnets,” The Cambridge Companion to Shakespeare’s Poetry, ed. Patrick Cheney (Cambridge: Cambridge University Press, 2007), pp. 125-43.

A Companion to Shakespeare’s Sonnets, editor (Oxford: Blackwell, 2006).

“’Commotion strange’: Milton and Passion,” Reading the Early Modern Passions, ed. Gail Kern Paster, Mary Floyd-Wilson, and Katherine Rowe (Philadelphia: University of Pennsylvania Press, 2004), pp. 43-67 “Recent Studies in the English Renaissance,” Studies in English Literature 44, no. 1 (Winter 2004): 189-228.

“Reading Bodies,” Reading, Society and Politics in Early Modern England, ed. Steven Zwicker and Kevin Sharpe (Cambridge: Cambridge University Press, 2003), pp. 215-43.

Imagining Death in Spenser and Milton, co-edited with Elizabeth Jane Bellamy and Patrick Cheney (New York: Palgrave Macmillan, 2003).

"'That spectacle of too much weight': The Poetics of Sacrifice in Donne, Herbert, and Milton," Journal of Medieval and Early Modern Studies 31, vol. 3 (2001): 561-84, reprinted in Seventeenth-Century British Poetry 1603-1660, ed. John Rumrich and Gregory Chaplin (New York: Norton, 2006), pp. 890-906."Obedience and Autonomy in Paradise Lost," A Companion to Milton, ed. Thomas Corns (Oxford: Blackwell, 2001), pp. 363-79.

Bodies and Selves in Early Modern England: Physiology and Inwardness in Spenser, Shakespeare, Herbert, and Milton (Cambridge University Press, 1999).

"Making Shakespeare's Sonnets Matter in the Classroom,” Approaches to Teaching Sixteenth-Century Poetry, ed. Patrick Cheney and Ann Lake Prescott (New York: Modern Language Association, 1999).

"Courts and Patronage," The Cambridge History of Literary Criticism, vol. 3, Renaissance to Late Seventeenth-Century, ed. Glyn P. Northon (Cambridge University Press, 1999).

"The Matter of Inwardness: Shakespeare's Sonnets," Shakespeare's Sonnets: Critical Essays, ed. James Schiffer (New York: Garland, 1998), pp. 305-24.

"Subversion or Collusion? Revising Jacobean England," Comparative Studies in Society and History 39, vol. 4 (1997): 772-78.

"Fables of the Belly in Early Modern England," in The Body in Parts: Fantasies of Corporeality in Early Modern Culture, ed. David Hillman and Carla Mazzio (New York: Routledge, 1997), pp. 242-61.

"The Gender of Religious Devotion: Amelia Lanyer and John Donne," in Religion and Culture in the English Renaissance, ed. Debora Shuger and Claire McEachern (Cambridge: Cambridge University Press, 1997), pp. 209-33.

"Doing Literature and History," Journal of British Studies 36 (1997): 355-63.

"The Poetry of Conduct: Accommodation and Transgression: in The Faerie Queene, Book 6," in Enclosure Acts: Sexuality, Property, and Culture in Early Modern England, ed. Richard Burt and John Archer (Cornell University Press, 1994).

"The Poetry of Supplication: Toward a Cultural Poetics of the Religious Lyric" in New Perspectives on the Seventeenth-Century English Religious Lyric, ed. John R. Roberts (University of Missouri Press, 1993).

"Gender and Conduct in Paradise Lost" in Sexuality and Gender in Early Modern Europe: Institutions, Texts Images, ed. James G. Turner (Cambridge University Press, 1993, pp. 310-38).

"'Among Unequals What Society?': Strategic Courtesy and Christian Humility in Paradise Lost," Milton Studies, 28, 1992, pp. 69-90.

Prayer & Power: George Herbert and Renaissance Courtship (University of Chicago Press, 1991).
  • The Cambridge Introduction to Shakespeare's Poetry
  • A Companion to Shakespeare's Sonnets
  • Bodies and Selves in Early Modern England: Physiology and Inwardness in Spenser, Shakespeare, Herbert, and Milton

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