| Name |
Year |
Title |
Award |
| Adam Krasner |
2008 |
The Fallacy of Jewish Self-Hatred in Post-World War II Jewish-American Literature |
|
| Alex Funt |
2008 |
My Own Private Henriad: Looking Back to Now Through Shakespeare’s Second Tetralogy |
|
| Amy Mittelman |
2008 |
“A World Hollowed Out” An Exploration of the Spatial Imaginings in the Novels of Virginia Woolf and E.M. Foster |
|
| Andrew Hendricks |
2008 |
White Nightgowns and Beaded Ceintures: Extravagance, Austerity, and the commonplace in Wallace Stevens’ Harmonium |
|
| Blair Nosan |
2008 |
The Trouble with Paradise: Exploring Communities of Difference in Three American Novels |
|
| Brooke Harris |
2008 |
“You Know You’re Cold Chillin’ When You’re in Blackface”: Questions of Black Authenticity in the Spike Lee Joint Bamboozled |
|
| Carly Kaloustian |
2008 |
“The World and All That is in It?”: The Rhetoric and Representation of the U.S. Neocolonial Project in National Geographic, 1898-1920 |
|
| Christine Beamer |
2008 |
Listening to Music: Nineteenth Century Intersections between Music, Class, and Genre |
|
| Christopher Byrd |
2008 |
Voicing the Void: Subject & Subjectivity in Samuel Beckett’s Fizzles |
|
| Colleen Manwell |
2008 |
Stand-Up Comedy as a Tool for Social Change |
|
| Franco Muzzio |
2008 |
Dialogues with the Past: Post-Truth Commission Literature in Argentina and South Africa |
|
| Julie Kuljurgis |
2008 |
Fashioning Identity: Helen Eustis’ Construction and Presentation of the Female Self in Harper’s Bazaar, 1947-52 |
|
| Katelyn Hahn |
2008 |
“Art Works for All Whom it Touches”: Interpreting the use of High Renaissance Art and Dutch Realism in Middlemarch |
|
| Laura Eidem |
2008 |
True Storytelling: Fiction and Nonfiction in In Cold Blood and The Executioner’s Song |
|
| Laura Lavey Swanson |
2008 |
Sympathy and Historical Distance: George Eliot’s Middlemarch and A.S. Byatt’s Possession |
|
| Lauren Milewski |
2008 |
Subversive Connections between Marginalized Others and the Search for a Heterogeneous Identity: A Revision and Expansion of Post-Colonial Critiques of Charlotte and Emily Bronte |
|
| Manisha Chakravarthy |
2008 |
Reading Indian-American Women: Writers, Protagonists, and Critics |
|
| Michael Diamond |
2008 |
Dismantling and Discovery: Narratives of Trauma and the Cubist Idiom in Hemingway’s Works from the 1920s |
|
| Michael Gadaleto |
2008 |
“Their Solitary Way”: Marital Reconciliation in the Conversion Scene of Paradise Lost |
|
| Michael Kang |
2008 |
Balancing the Image: Collective Experience and Alienation in Don DeLillo’s Mao II, Libra, and Underworld |
|
Graduate Program
