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Honors Thesis Archive

Honors Thesis Archive // Creative Writing Thesis Archive


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Name Year Title Download
Amanda Swain
2009 Regarding Representations and Responsibility: A Study of Torture's Situation and Reception in post-9/11 U.S. Culture N/A
Benjamin Van Wagoner
2009 Rebel: Confronting Order and Chaos in 2 Henry VI N/A
Catherine Shubert
2009 Modern Meamorphoses: Issues of (Im)personality and Tradition in the Poetry of Pound, Eliot, and H.D. N/A
Daniel Braun
2009 Talking Coleridge: Three Conversation Poems N/A
Dara Katz
2009 J.D. Salinger's Glass Stories: The Genius and 1950's America N/A
Emily Cappo
2009 Repression and Displacement in Kazuo Ishiguro's When We Were Orphans and Never Let Me Go N/A
Emily Knapp
2009 Metafiction in Northanger Abbey: How Austen Legitimizes the Novel N/A
Emily Wilson
2009 The Story of Joseph and Potiphar's Wife: Thomas Mann's Joseph and His Brothers and his Early Jewish and Christian Sources N/A
Hannah Ensor
2009 Recklessly Intimate andVery Far Away: Daguerrean method in The House of the Seven Gables N/A
Jessica Aja
2009 The Good of the Beautiful N/A
Joseph Klein
2009 Keat's Urn and the Arrested Image in Faulkner N/A
Joshua Munro
2009 Reconfiguring Wuornos: An analysis of the public and literary representation of Aileen Wuornos N/A
Kimberly Chou
2009 "This place being South Africa": Reading race, sex, and power in J.M. Coetzee's Disgrace N/A
Kira Rose
2009 A.S. Byatt's POSSESSION: A ROMANCE: Gendered Genres, Normative Femininity and the Romance of History N/A
Landon Krantz
2009 The Story of Illness: A study of the narrative writing of the ill N/A
Laura Campbell
2009 Feminist Fairy Tale Retellings: A Genre of Subversion N/A
Lynne May
2009 A Study of the Relationship between the Text and Its Reader: The Imitation of Christ in the Late Middle Ages and Early Modern Europe N/A
Megan Acho
2009 "Nobody comes out with perfectly clean hands": An Analysis of the Synecdochic Implications of hands as a Recurring Motif in the Literature of Edith Wharton N/A
Sarah Smith
2009 The Complex Web of Gender, Genre, and Agency in George Eliot's Middlemarch N/A
Starr Friedman
2009 Language as a Familiar Alien in Science Fiction or, as Riddley Walker Would Ask, Wie Wood Eye Both Err Two Reed This? N/A
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