Get off the beaten track: Study Swedish! We offer four semesters of Swedish, plus independent studies, conversation courses, internships for credit, and a team-taught course on Scandinavian Civilization. A minor in Scandinavian Studies is also available.
Swedish language courses are highly interactive. The focus is on communication from the very beginning. Students are able to use the language from day one. The atmosphere is friendly and cooperative, with room for both fun and challenging discussions. Students get to know each other as well as the local Scandinavian community, and other students in Scandinavia.
Swedish as a Language of Business and Engineering
Studying a foreign language prepares students to participate in an expanding global workplace. Sweden is highly industrialized and it invests more money in research per capita than any country in the world, including the U.S. Many companies based in Sweden can offer a global career, as for example Volvo, SAAB, Ericsson, ABB, Pharmacia and Upjohn, and IKEA. Sweden is also known as a "model welfare state," and it is instructive to compare Sweden with the U.S. in this and many other ways.
The Scandinavian Program is eager to help students arrange internships in Scandinavian countries, and has funding available to help subsidize the cost.
The Scandinavian Studies Program proudly sponsors the annual Signe Karlström Event, which has featured talks by major Scandinavian scholars and artists.
For more information on our Scandinavian Program and events, please contact the Director, Johanna Eriksson.
2009 Festen Event. "Festen" was proudly sponsored by the Signe Karlström Fund, the Swedish Institute, U-M Residential College, SWEA, the Finnish Center Association, Kalevala, and IKEA. View Event Poster
2008 A Swedish Theory of Love: Radical Individualism in the Land of Social Solidarity” presented by Lars Trägårdh
2007 was not held
2006 The Making of Equality: Social Processes and Swedish Experiences
The Union of Europe: From Europeanization to Global Ambition and Global Subservience
Both lectures by Göran Therborn, Director of the Swedish Collegium for Advanced Study in the Social Sciences, Uppsala, and University Professor of Sociology at Uppsala University.
2005 was not held
2004 Ideas of Wealth and Welfare in Sweden and the USA Two lectures by David Östlund, historian and Fulbright-lecturer from Stockholm University.
"Social Engineering": From Benevolent Business Efficiency to the Experts' Welfare State "Social engineering" became a catchword among American progressives in the interwar period. In recent decades it has often been used with reference to Swedish society as the epitome of the rationally planned welfare state. The concept was originally launched in America in 1899, referring to a kind of expert-guided benevolence on the part of Big Business, seen as a partial solution to "the social question". This origin has immediate links to the group of Swedish "progressives" who shaped the first foundations of the Swedish welfare state in the start of the 20th century. Both contrasts and similarities with American thought shed new light over the Swedish way from "social war" to "social peace".
The Swedish Model: Soft-Socialism or Vigorous Capitalism with a Human Face? Since the 1930s Sweden has often appeared as a symbol in international debates. Cherished as an enviable ideal society by American left-liberals, Sweden has also been painted as a dystopia by conservatives. What gave this small country on the northern fringe of Europe its reputation to possess a unique "model"? Conspicuous economic prosperity? Cultural traits of modernist-rationalistic consensus? A comprehensive social security system? Were such features rooted in ancient national traditions and mentalities? Were they on the contrary a result of pure chance in the interplay between a unique set of social forces, such as a strong and autonomous business community? Or was the "People's Home" an edifice built by the Social Democrats, using their governmental power 1932-1976 to materialize the ideas of reformist socialism?
2003 Scandinavian Chamber Music Concert #1 Faculty and students, including Soren Hermansson, Erling Blondal Bengtsson, Eric Ronmark, and the School of Music Chamber Choir, conducted by Jerry Blackstone. "Visions of Northern Sounds" a film portrait by Peter Berggren introduces us to maestro Eric Ericson, leading choral conductor of our age. Discussion with the director follows.
Scandinavian Chamber Music Concert #2 Featuring School of Music faculty and students, including Megan Besley accompanied by Steve McGhee.
The Poetic and Beautiful Scandinavia An exhibition of photography by Merete Blöndal Bengtsson
2002 Two Lectures On Swedish Theater and Film by Swedish theater and film historian and translator Leif Janzon
Exorcising On Stage: Ingmar Bergman's Theater Since 1942, Ingmar Bergman's stage work in Sweden has been both controversial and celebrated. First seen at major theaters outside Stockholm, from the sixties at the Royal Dramatic Theater and at the Royal Opera, his productions have since the eighties also visited the USA. Leif Janzon has followed his work closely since the sixties and shows the continuous interaction between his theater and his films and TV productions, with "the Bergman actors" as an important common denominator. Bergman's work is also considered in its cultural, social, and biographical context. Cosponsored by Film and Video Studies.
The Smile Of Garbo: The Emigrant One of the most fascinating and elusive film stars of our times, Garbo rose early to cult status. Née Greta Gustafson from the poor South Side of Stockholm, she – like so many Swedes before her – became a US emigrant. To most Swedes, Garbo's is not a mysterious, but an easily comprehensible Swedish fate, one among hundreds of thousands of compatriots, who out of poverty, ambition, and dreams, were forced to leave their physical and spiritual home. Her professional and private life is seen by Leif Janzon as emblematic of Sweden's social transformation since the late 19th century.
Biographical Notes Leif Janzon (b. 1944) has written extensively on modern Swedish theatre (in Swedish and English), and been a lecturer at several universities, both in Sweden and internationally. He is a librettist; his recent works include the opera "Trädgården" (The Garden; music Jonas Forssell), about Swedish scientist Carl von Linnaeus; and the musical "Kejsarinnan" (The Empress; music Mikael Wiehe), based on Selma Lagerlöf’s novel "Kejsaren av Portugallien."
He is also a translator of novels, plays, musicals, essays and poetry. Among writers translated are Norman Mailer, William Faulkner, Seamus Heaney, James Purdy and Arthur Koestler.
2001 The Night Walkers By Kristina Lugn, Translated from the Swedish by Verne Moberg. A staged reading directed by Robert Greer, featuring Yvette Edelhart and Meg Gibson. With an introductory talk by the translator about the author and the play.
2000 Concerts by The Rilke Ensemble
1997 Jan Ojvind Swahn (University of Lund), "Swedish Food Customs"
1994 Sven Steinmo (University of Colorado), "Can the Swedish Model Survive?"
1993 Elina Haavio-Mannila (University of Helsinki), "Friendship, Love, and Sexual Harassment in the Workplace"
1992 Tutti Soila (Stockholm University), "The Ideological and Cinematic Break of the Swedish Cinema in the 1960s"
1991 Rochelle Wright (University of Illinois), "America through Song: Scandinavian Emigrant Ballads"
1990 Gitte Mose (University of Copenhagen), "The Fantastic in the Swedish Novel after 1978"
1989 Birgitta Steene (University of Washington), "From August Strindberg's The Son of a Servant to Ingmar Bergman's The Magic Lantern: The Autobiographical Mode in Scandinavian Literature"