romance languages and literatures
 

Michèle Hannoosh
Department Chair and
Professor of French

Office: 4208 MLB 1275
Phone: (734) 647-2339
E-mail: hannoosh@umich.edu

Ph.D. Stanford, 1982

Areas
Nineteenth-century French literature, art, and society; art criticism, relations between the arts; the city, Walter Benjamin, the history of modernity; the representation of history; parody; comparative literature


Interests and Current Work
My interests cover a broad range of topics in nineteenth-century literature, art, and culture. I have written on the theory of parody, on Decadence, the city, and modernity; I have developped a special interest in the relations between the arts over their histories. In the nineteenth-century context, I have worked extensively on art criticism and art theory, notably Baudelaire's essays on caricature and their place in his theory of modernity, and Delacroix's Journals as an effort to develop a writing proper to painting, to a painter's response to the world.

I recently completed a major new edition, in French and with commentary, of Delacroix's Journals, a project which has led me to consider the relations between autobiography and history: how a personal, private diary can be a particular "écriture de l'histoire. "Eugène Delacroix. Journal, 2 vols.(Paris, José Corti, forthcoming March 2009).

I am beginning research for a project on trials of works of literature and the visual arts in nineteenth-century France.


Recent and Selected Publications
“Between Ingres, Delacroix and the Pre-Raphaelites: A (No Longer) Anonymous Painter in Italy,” The Burlington Magazine, CL, 1262 (May 2008), pp. 301-311.

“Théophile Silvestre’s Histoire des artistes vivants: Art Criticism and Photography,”  The Art Bulletin LXXXVIII, 4 (December 2006), pp. 729-755

Baudelaire and Caricature. From the Comic to an Art of Modernity. Philadelphia: The Pennsylvania State University Press, 1992.

Painting and the Journal of Eugene Delacroix. Princeton: Princeton University Press, 1995.

"The Allegorical Artist and the Crises of History: Benjamin, Grandville, Baudelaire." Word and Image X, vol.1 (1994): 38-54.


>>more publications

Recent graduate courses taught:
Representing Revolution in Nineteenth-Century France
Walter Benjamin
Figuring the Artist in Nineteenth-Century France (team-taught course with Prof. Susan Siegfried of the History of Art Department)
Poetry and Painting in Nineteenth-Century France
Forms of Autobiography

Recent undergraduate courses taught:

L’Espagne romantique
Literature on Trial (Romance Languages & Literatures course)
Révolution, Restauration, Romantisme
Paris, capitale du XIXe siècle
Réalisme et idéalisme dans le roman français du XIXe siècle