212/Hist. 212. The Renaissance. (4). (HU).
See History 212. (Becker)
250/Hist. of Art 250. Italian Renaissance Art. Hist. of Art 101 or 102 or permission of instructor. (3). (HU).
See History of Art 250. (Eisenberg)
323/Hist. of Art 305. The Themes and Symbols of Western Art. (3). (HU).
See History of Art 305. (Forsyth)
418. Comparative and Thematic Studies of Medieval Culture I. (3-4).
(HU). May be elected for credit more than once.
Crusades in East-West Perspective. The purpose of this course is to examine the causes, the primary stages of development, and the consequences of the Crusades not only from a traditional "Christian" or "European" perspective, but also from a "Near Eastern" or "Islamic" point of view. Special emphasis is given to the role of the Crusades in the social and economic development of the medieval Mediterranean world. No prerequisites; a midterm test and a final "subjective" examination. (Ehrenkreutz)
425. Renaissance Italy: Thematic Studies I. (3-4). (HU). May be
elected for credit more than once.
"Perspective" in Renaissance Art and Letters. A study of perspective as a symbolic form in the literature, philosophy, and art of the Renaissance, with special attention to problems of subjectivity and to the genesis of the modern era in the dissolution of the medieval world-system. Discussion includes Petrarch, Brunelleschi, Copernicus, selected Mannerist painters, Montaigne, Cervantes, Shakespeare, and Marvell. (Gasbarra)
444/French 438. Introduction to the Reading of Old French Texts. French 387, 388, 389, or the equivalent. (3). (HU).
See French 438. (Mermier)
455/English 455. Medieval English Literature. (3). (HU).
See English 455. (Garbaty)
465/English 465. Chaucer: The Canterbury Tales. (3). (HU).
See English 465. (Lenaghan)
489/Hist. of Art 490. Art of Islam in the Mediterranean Region. (3). (HU).
See History of Art 490. (Allen)
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