|
Note: You must establish a session for Fall Academic Term 2003 on wolverineaccess.umich.edu in order to use the link "Check Times, Location, and Availability". Once your session is established, the links will function. Courses in Music TheoryThis page was created at 6:55 PM on Tue, Sep 23, 2003. Fall Academic Term, 2003 (September 2 - December 19)It is possible for LS&A students to elect a concentration program in Theatre or Music, and these programs are described in the LS&A Bulletin. In addition, Theatre courses and Music courses are frequently elected by LS&A students not concentrating in either Music or Theatre. All courses in Music History/Musicology, Composition, and Music Theory are electable for LS&A credit; some but not all Theatre and Drama courses are available for LS&A credit. Some of these courses can be used in an area distribution plan. LS&A students may elect music PERFORMANCE courses for degree credit, but this credit counts toward the maximum twelve non-LS&A credit hours that can be applied toward an AB/BS degree or twenty non-LS&A credit hours that can be applied toward a BGS degree. Courses in Theatre, Music History/Musicology, Composition, Music Theory, and Performing Arts Technology are listed in the Time Schedule under the School of Music. The following courses count as LS&A courses for LS&A degree credit. THEORY 137. Introduction to the Theory of Music.Section 001.Instructor(s): MeadPrerequisites & Distribution: While this course requires no previous formal training in music theory, it is essential that students have a basic understanding of musical notation. (3). (HU). May not be repeated for credit. Credits: (3). Course Homepage: No homepage submitted. No Description Provided. Contact the Department.
THEORY 137. Introduction to the Theory of Music.Section 005.Instructor(s):Prerequisites & Distribution: While this course requires no previous formal training in music theory, it is essential that students have a basic understanding of musical notation. (3). (HU). May not be repeated for credit. Credits: (3). Course Homepage: No homepage submitted. No Description Provided. Contact the Department.
THEORY 139. Basic Musicianship: Aural Skills I.Instructor(s):Prerequisites & Distribution: THEORY 129 or placement by Theory Evaluation Survey Test. Limited to students enrolled in the School of Music unless admission is granted by the Chairman of the Department of Music Theory. (1). (Excl). May not be repeated for credit. Credits: (1). Course Homepage: No homepage submitted. No Description Provided. Contact the Department.
THEORY 140. Basic Musicianship: Aural Skills II.Instructor(s):Prerequisites & Distribution: THEORY 139. (1). (Excl). May not be repeated for credit. Credits: (1). Course Homepage: No homepage submitted. No Description Provided. Contact the Department.
THEORY 149. Basic Musicianship: Writing Skills I.Instructor(s): DapgnyPrerequisites & Distribution: THEORY 129 or placement by Theory Evaluation Survey Test. Limited to students enrolled in the School of Music unless admission is granted by the Chairman of the Department of Music Theory. (2). (Excl). May not be repeated for credit. Credits: (2). Course Homepage: No homepage submitted. No Description Provided. Contact the Department.
THEORY 239. Basic Musicianship: Aural Skills III.Instructor(s):Prerequisites & Distribution: THEORY 140 and 150, and concurrent enrollment in THEORY 249. (1). (Excl). May not be repeated for credit. Credits: (1). Course Homepage: No homepage submitted. No Description Provided. Contact the Department.
THEORY 249. Basic Musicianship: Written Skills III.Section 001.Instructor(s): MeadPrerequisites & Distribution: THEORY 140 and 150, and concurrent enrollment in THEORY 239. (2). (Excl). May not be repeated for credit. Credits: (2). Course Homepage: No homepage submitted. No Description Provided. Contact the Department.
THEORY 249. Basic Musicianship: Written Skills III.Section 002.Instructor(s): DerrPrerequisites & Distribution: THEORY 140 and 150, and concurrent enrollment in THEORY 239. (2). (Excl). May not be repeated for credit. Credits: (2). Course Homepage: No homepage submitted. No Description Provided. Contact the Department.
THEORY 407. Directed Individual Studies.Topic?Instructor(s):Prerequisites & Distribution: Permission of department chair. (2-4). (Excl). (INDEPENDENT). May be repeated for credit. Credits: (2-4). Course Homepage: No homepage submitted. No Description Provided. Contact the Department.
THEORY 433(430). Analysis of Twentieth-Century Music.Section 001 — Meets with Theory 533.001.Instructor(s): MeadPrerequisites & Distribution: THEORY 351. (3). (Excl). May not be repeated for credit. Credits: (3; 2 in the half-term). Course Homepage: No homepage submitted. Primary emphasis is on the development of analytical and aural skills in significant 20th-century musics, using varied repertoire and varied aural and analytical approaches.
THEORY 433(430). Analysis of Twentieth-Century Music.Section 003 — Meets with Theory 533.001.Instructor(s): HubbsPrerequisites & Distribution: THEORY 351. (3). (Excl). May not be repeated for credit. Credits: (3; 2 in the half-term). Course Homepage: No homepage submitted. Primary emphasis is on the development of analytical and aural skills in significant 20th-century musics, using varied repertoire and varied aural and analytical approaches.
THEORY 442(473). Eighteenth-Century Counterpoint.Section 001 — Meets with THEORY 542.001.Instructor(s): KorsynPrerequisites & Distribution: THEORY 240 and 351. (3). (Excl). May not be repeated for credit. Credits: (3). Course Homepage: No homepage submitted. Involves analysis and practice of the craft of counterpoint based on 18th-century repertoire of Western music and scholarly treatises of both that period and the present. A diet of species counterpoint is emphasized in the first half, then varieties of contrapuntal craft of the difficulty of two- and three-part inventions of J.S. Bach.
THEORY 442(473). Eighteenth-Century Counterpoint.Section 002 — Meets with THEORY 542.002.Instructor(s): DerrPrerequisites & Distribution: THEORY 240 and 351. (3). (Excl). May not be repeated for credit. Credits: (3). Course Homepage: No homepage submitted. Involves analysis and practice of the craft of counterpoint based on 18th-century repertoire of Western music and scholarly treatises of both that period and the present. A diet of species counterpoint is emphasized in the first half, then varieties of contrapuntal craft of the difficulty of two- and three-part inventions of J.S. Bach.
Graduate Course Listings for THEORY.This page was created at 6:55 PM on Tue, Sep 23, 2003.
University of Michigan | College of LS&A | Student Academic Affairs | LS&A Bulletin Index This page maintained by LS&A Advising Technology (webmaster_saa@umich.edu), G255-E Angell Hall Copyright © 2003 The Regents of the University of Michigan,
Trademarks of the University of Michigan may not be electronically or otherwise altered or separated from this document or used for any non-University purpose. |
