College of LS&A

Winter Academic Term '02 Graduate Course Guide

Note: You must establish a session for Winter Academic Term 2002 on wolverineaccess.umich.edu in order to use the link "Check Times, Location, and Availability". Once your session is established, the links will function.

Courses in Music Theory


This page was created at 4:48 PM on Fri, Mar 22, 2002.

Winter Academic Term, 2002 (January 7 - April 26)

Open courses in Music Theory
(*Not real-time Information. Review the "Data current as of: " statement at the bottom of hyperlinked page)

Wolverine Access Subject listing for THEORY

Winter Academic Term '02 Time Schedule for Music Theory.


THEORY 407. Directed Individual Studies.

Instructor(s):

Prerequisites: Permission of department chair. (2-4). (INDEPENDENT). May be repeated for credit.

Credits: (2-4).

Course Homepage: No homepage submitted.

No Description Provided

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THEORY 506. Special Studies.

Section 001 Pop Music, Gender, and Sexuality. Meets with Theory 406.001.

Instructor(s): Walter T. Everett (weverett@umich.edu)

Prerequisites: Music Theory 452 and permission of instructor. Graduate standing. (3).

Credits: (3; 2 in the half-term).

Course Homepage: No homepage submitted.

No Description Provided

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THEORY 506. Special Studies.

Section 002 Queer World-Making in American Musical Modernism, 1934-50. Meets with Institute for the Humanities 511.003 and Women's Studies 483.008.

Instructor(s): Nadine Hubbs (nhubbs@umich.edu)

Prerequisites: Music Theory 452 and permission of instructor. Graduate standing. (3).

Credits: (3; 2 in the half-term).

Course Homepage: No homepage submitted.

American art music's coming of age, beginning in the mid-1930s, gave the U.S. a new signature sound and a new stature as a nation of culture, as well as wealth and technological power. The prime architects of America's musical identity in this defining moment were composers like Copland, Thomson, and Barber, along with Bernstein, Blitzstein, Bowles, Diamond, Rorem, and others. And the Manhattan-centered realm in which these artists moved was distinguished by its involvement not only with musical modernism, as is generally acknowledged, but with queerness.

This seminar will examine sexual identities and politics in the American modernist music world to illuminate both the crucial role of queer identity in the twentieth-century American classical music world, and the crucial role of American classical music in the making of twentieth-century queer identities and queer worlds.

Required books: course reader (other materials will be on reserve).

Check Times, Location, and Availability Cost: No Data Given. Waitlist Code: No Data Given.

THEORY 530. Analysis of Twentieth-Century Music.

Section 001 Meets with Theory 430.001.

Instructor(s): Marion A. Guck

Prerequisites: Music Theory 461 or equivalent; graduate standing. (3).

Credits: (3; 2 in the half-term).

Course Homepage: https://coursetools.ummu.umich.edu/2002/winter/theory/430/001.nsf

Introduction to analytical concepts and techniques designed for various musical styles of the 20th century.

Check Times, Location, and Availability Cost: No Data Given. Waitlist Code: No Data Given.

THEORY 530. Analysis of Twentieth-Century Music.

Section 002 Meets with Theory 430.002.

Instructor(s): Walter T. Everett (weverett@umich.edu)

Prerequisites: Music Theory 461 or equivalent; graduate standing. (3).

Credits: (3; 2 in the half-term).

Course Homepage: No homepage submitted.

No Description Provided

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Undergraduate Course Listings for THEORY.


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This page was created at 4:48 PM on Fri, Mar 22, 2002.


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