100. Public Speaking. Not open to seniors. (3). (Excl).
This course is recommended for students who will be pursuing degrees or careers in teaching, law, business, administration, or politics and others who are concerned with communicating effectively with the general public. Course topics include audience and speech analysis, source credibility, stage-fright, techniques of persuasion, and ethics. The ultimate purpose of the course is to encourage more effective communication by providing students with instruction and experiences which help them to be at ease before audiences and which encourages them to develop and present messages which have maximum audience impact. You must be present at the first two class meetings to hold your spot. WL:1 (Mikula)
103. Introduction to Mass Communication. Not open to seniors. (4). (SS).
Providing an introduction to mass communication, this course examines the history and current processes involved in the creation of media products as part of American culture. The course analyzes political, economic, social and moral factors confronting television, radio, movies, news, advertising, public relations, book publishing, magazines, music videos and sound recording. Three lectures or viewings per week plus one discussion section. Three short writing projects required with emphasis on critical analysis of media. Two exams. WL:1 (Campbell)
202. Freedom of Expression. (3). (SS).
This course focuses on First Amendment protection of speech and expression. There is study of US Supreme Court decisions and general principles of First Amendment law. Topics covered include civil rights protests, television and film censorship, book-banning, libel, advertising restrictions and free speech on university campuses. There are 3 exams of equal weight and students may obtain extra credit points. [Cost:2] [WL:1] (Lowenstein, Buckley)
250. Information Gathering for Mass Media. (3). (Excl).
This course teaches the strategies used in finding information, evaluating its validity and reporting the results in a number of mass media applications, including journalism, public relations, marketing, and advertising. The approach combines research methods used by media professionals and by librarians. Problem-solving assignments are applied to the information industry. Cost:2 WL:1 (Hall)
290. News Writing. (3). (Excl).
Covers the fundamentals of newspaper reporting and writing, including defining news, locating stories, documentation, interviewing, clarity in writing, news coverage strategies and copy editing. Weekly assignments. Cost:2 WL:1
302. Writing for the Mass Media. Comm. 290, or permission of instructor. (3). (Excl). May be repeated for a total of 6 credits with permission of concentration advisor.
The course provides an integrated approach to mastering the basic concepts and techniques for feature writing for the mass media. It is anticipated students will offer their work to area media for publication. Multiple writing assignments will foster improved writing and test students' mastery of material. It is anticipated students will write three papers of approximately five pages each, revised one or more times. In addition, students will write additional assignments on outlining, character development and the analysis of other writing. Students will receive written criticism, as well as oral evaluation by the instructor. Students will also be expected to attend one or more readings by visiting writers, as well as participate in class discussion. Cost:2 WL:1
310. Persuasive Communication. (3). (Excl).
In this lecture course, we will investigate the ways in which people try to influence the attitudes and behavior of others. The topics covered should be of special interest to people who are concerned with public relations, labor-management problems, advertising directed toward social issues, and social action programs. There will be one final, a group project, and two individual projects. Student class participation will be counted toward the final grade. Cost:2 WL:1 (McPhail)
320. Film Analysis. (3). (HU).
This course is a survey of the history, theory and aesthetics of the motion picture as illustrated through the works of representative film makers. It considers the types of artistic efforts that go into the making of a motion picture by emphasizing the roles of the director, the editor, the cinematographer as well as the roles of music and composition. The course traces the development of the motion picture from a primitive tool to a sophisticated art form. The latter part of the course is devoted to a selection of various films that illustrate genres, approaches to motion picture art: fantasy, neo-realism, the documentary film. An effort is also made to explain of the more recent developments in film, beginning with the experimental film and concluding with the animated film. There is a midterm examination and final exam. Written scene critiques of a contemporary film are required. There is one major text and one supplementary text. The course format is unusual in that the film medium itself (in the form of short clips, slides, etc.) is used to the largest possible extent in presenting the course material. Students who expect to pursue a film-making sequence should take this course as early as possible, preferably during the freshman or sophomore years. Three lecture hours and one discussion section per week. Cost:2 WL:1 (Beaver)
404. Media in the Marketplace. (3). (Excl).
This course examines the structure of the mass media marketplace by focusing on the web of economic relationships, market processes, and external constraints which direct the activities of suppliers, producers, distributors, retailers, and consumers of communication products. It explores why mass communication industries are organized as they are and how their structure affects the behavior of media markets. The newspaper, magazine, book publishing, radio, television, cable, and motion picture industries are studied in terms of: market structure, product differentiation, ownership patterns, financial controls, competitive behavior, demand-side and supply-side constraints, organizational adaptation, technology, and public policy. As an overview of contemporary issues involving the economic performance of mass media industries, this course investigates attributes of the media marketplace that influence the nature of the competitive process. (Buckley)
405. The Media and the Arts. Comm. 103 and upperclass standing. (3). (Excl).
Communication 405, Media and the Arts, is an exploration of the relationship between the arts and the mass media. Students will study the way various forms – theatre, dance, music, architecture, and the fine arts – are reported and critiqued in newspapers, magazines, and on TV as well as the ways the arts and the media effect each other. Because students will need an understanding of the emphasized art forms in order to appreciate what is written about them, the nature of each will also be examined. The course will center on five assigned art events, plays, concerts, exhibits, etc., that students will attend outside of class. In conjunction with these events, many related, in-class activities are planned: guest lectures by reviewers and artists, films, and demonstration. Readings will include selections from scholarly works on criticism, basic works on the arts, and local and national newspapers. Students will be required to prepare five two-page exercises and take midterm and final exams. (Cohen)
420/Pol. Sci. 420. Politics and the Mass Media. Pol. Sci. 111, 300, 410, or 411. (3). (Excl).
See Political Science 420. (Semetko)
421. Introduction to Radio and Television. Upperclass standing. (3). (Excl).
This course is designed to introduce students to the terminology aesthetics and organizational methods of broadcast production and programming. Lecture is supplemented with radio and television laboratory sessions in which students will apply their acquired knowledge of audio and video production, including scripting, directing and practical operation of studio equipment. Grading will be based on tests radio and television directing projects and short written assignments. Students must be present at the first lecture and lab session to maintain enrollment. Laboratory sessions will be held for radio in 1050 Frieze Bldg. and for television at the studios located at 400 Fourth Street. The first lecture will meet in room 1041 Frieze. This course is a prerequisite for Communication 425, an advanced course devoted to radio and television studio production. Cost:2 WL:1 (Young, Mikula)
427. Preparation of Radio and TV Continuity. Junior standing. (3). (Excl).
This course is designed to give students experience in writing scripts for non-dramatic radio and television. The writing assignments include: radio and television commercials, public service announcements, broadcast editorials, commentaries, and documentaries. Emphasis is on use of language and visuals to communicate ideas and to influence viewer perception, as well as adapting writing to script formats and precise lengths of time. Instruction is through lecture, written comments on scripts, individual conferences, in-class critique and discussion of student writing, and evaluation and analysis of professional broadcast scripting through the use of video and audio tapes. Attendance and participation in class discussion are mandatory. You must be present at the first class meeting to maintain your enrollment. This course may be taken to fulfill the ECB junior- senior writing requirement. Cost:2 WL:1 (Sarris)
450. Undergraduate Internship. Junior standing, concentration in Communication and permission of instructor. (2) (Excl).Offered mandatory credit/no credit. (EXPERIENTIAL). May be elected for a total of six credits.
Communication 450 is the Department's internship program, designed to give junior or senior Communication concentrators credit for appropriate practical work experience. Internships may be elected for 2 credits only and are given credit/no credit (may not be elected for a grade). Time requirement for a 2-credit internship is approximately 15 hours per week for a 14-week term. Student evaluation is based on satisfactory completion of the internship and recommendation of the internship sponsor. Internship credit is not retroactive and must be pre-arranged. For further information and approval, students should contact the internship coordinator in the Department of Communication. Cost:none WL:Registration is by P.I. only. Students should see the Internship Coordinator for required override. (Sarris)
501. Departmental Tutorial. Open to senior concentrators. (1-4). (Excl). (INDEPENDENT). May be repeated for credit.
Intended for individualized research writing instruction in subject areas not covered by scheduled courses. Must be arranged with the faculty member.
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