Transfer Student Courses in Film and Video Studies This page was created at 12:37 PM on Thu, Oct 4, 2001. Fall Academic Term, 2001 (September 5 - December 21) Open courses in Film and Video Studies (*Not real-time Information. Review the "Data current as of: " statement at the bottom of hyperlinked page) Wolverine Access Subject listing for FILMVID Fall Term '01Time Schedule for Film and Video Studies. FILMVID 236 / RCHUMS 236. The Art of the Film. Section 001 – Students Are Required To Attend Film Viewing On Tuesday 7-11 P. M., With An Alternate Screening On Thursday 7-11 P.M.. Instructor(s): Hubert I Cohen Prerequisites & Distribution: (4). (HU). Laboratory fee ($50) required. Credits: (4). Lab Fee: Laboratory fee ($50) required. Course Homepage: No homepage submitted. The Art of the Film examines the dramatic and psychological effects of the elements and techniques used in film making and television, and some of the salient developments in film's artistic and technological history. This course provides students with the basic tools and methods for film appreciation and study. Students write five two-page exercises, a seven-page analysis of a current movie, and a final exam. Check Times, Location, and Availability Cost: No Data Given. Waitlist Code: No Data Given. FILMVID 422. Topics in Avant-Garde Film. Section 001. Instructor(s): Edward Dimendberg (eddimend@umich.edu) Prerequisites & Distribution: (3). (Excl). Laboratory fee ($35) required. Credits: (3). Lab Fee: Laboratory fee ($35) required. Course Homepage: No homepage submitted. An introduction to films, creative practitioners, and aesthetic tendencies which have functioned in opposition to the narrative and commercial structures of Hollywood cinema from the silent period to the present. Diverse European, American, and Asian cinematic avant-gardes (German Expressionism, Surrealism, Soviet theorists of montage, the city symphony, the works of Maya Deren, the New American Cinema, structural films by Michael Snow and Hollis Frampton, the diary cinema movement, Andy Warhol, essay films by Chris Marker and Jean-Luc Godard, and recent explorations of gender, Yvonne Rainer, Bette Gordon, Sadie Benning) will be studied in relation to corresponding developments in 20th century cultural history. Readings in aesthetic theory, film theory, and film history. Course Requirements include a midterm examination and a final project. FILMVID 230/236 is heavily recommended. Check Times, Location, and Availability Cost: No Data Given. Waitlist Code: No Data Given. FILMVID 441. National Cinemas. Section 003 – Japanese Cinema. Meets with Japanese 475.001 Instructor(s): Mark Nornes (amnornes@umich.edu) Prerequisites & Distribution: F/V 360. (3). (Excl). Laboratory fee ($50) required. May be repeated for a total of six credits. Credits: (3). Lab Fee: Laboratory fee ($50) required. Course Homepage: No homepage submitted. No Description Provided Check Times, Location, and Availability FILMVID 470 / CAAS 470. Cultural Issues in Cinema. Section 001 – Women Directors of the Black Diaspora Instructor(s): Frances Gateward (gateward@umich.edu) Prerequisites & Distribution: (3). (Excl). Laboratory fee ($35) required. Credits: (3). Lab Fee: Laboratory fee ($35) required. Course Homepage: No homepage submitted. See CAAS 470.001. Check Times, Location, and Availability Cost: No Data Given. Waitlist Code: No Data Given. This page was created at 12:37 PM on Thu, Oct 4, 2001. University of Michigan | College of LS&A | Student Academic Affairs | LS&A Bulletin Index | Department Homepage This page maintained by LS&A Academic Information and Publications, 1228 Angell Hall Copyright © 2001 The Regents of the University of Michigan, Ann Arbor, MI 48109 USA +1 734 764-1817 Trademarks of the University of Michigan may not be electronically or otherwise altered or separated from this document or used for any non-University purpose.