2013 NCPTW Conference
Several Sweetland Peer Tutors attended and presented at the National Conference on Peer Tutoring in Writing 2013 held in Tampa, Florida November 1st-3rd.
Clothing in our Community
Presented by Logan Corey, Lauren Fitzgerald, Zeinab Khalil, Zoe Kumagai
Everyone who steps into a writing center, tutor or tutee, is a writer with a unique social identity, often expressed through their clothing. How do clothes influence the type of environment that a writing center creates for both the tutee and tutor? Should tutors (who are also writers!) be expected to conceal their identity through censorship of their appearance for the sake of the tutee’s comfort or should the writing center act a “contact zone”? "Our Community: Writer Identity and Self-Expression" is a workshop that centers around the role of self-expression through clothing in the writing center. Through anonymous interactions as well as group dialogue, participants are prompted to think critically about clothing, social identity, the writer, and whether there exist boundaries in terms of “appropriate” attire in the writing center.
That Sounds Dope:
Negotiating Non-Standard Discourse with Standard English in the Writing Center
A Poster Presentation by Andy Peters
View or Download the Handouts (pdf)
“Write in a way that comes easily and naturally to you, using words and phrases that come readily at hand.”
-William Strunk, Jr. and E.B. White, The Elements of Style
What if the language that "comes easily and naturally" to a given writer deviates from the prescriptive grammar and style rules of "Standard English"? What does the use of non-standard discourse such as slang say about a writer? How can colloquial and vernacular language reflect a writer’s unique identity and background? And, finally, what role does slang play in the writing center—both in composition and in conversation?
This poster presentation approached these questions by considering slang’s place in a generally prescriptive academic world. NCPTW attendees were urged to think about both the risks and rewards of using slang and other forms of non-traditional discourse in academic writing. Ultimately, participants walked away with a sense of slang’s tremendous potential as an expressive language tool as well as some interesting ideas about how to have fruitful conversations about these issues with the writers they work with in the writing center.
Tweeting Theses, Papers to Posts: The Dialogue Between Digital and Academic Discourse
Presented by Drake Misek, James Nadel, Liliana Naydan, Layne Vandenberg
Our workshop focused on writers' identities and how these identities interact with both academic writing and social media. Why do some writers consider a Facebook status or a tweet more representative of their identity than an essay? How can writers use their digital media identities to develop their academic identities? How can the different discourse communities in which writers engage come into productive contact with one another in writing centers? These questions framed our workshop, which emerges out of recent scholarship by scholars like Jackie Grutsch McKinney and David Sheridan. Both McKinney and Sheridan posit that 21st-century writing centers must refashion themselves as multiliteracy centers to accommodate multimodal compositions in the digital age. Although we agree with McKinney and Sheridan, we argue that a more pressing concern involves writers’ conceptions of writing, especially in the digital media for which they write. In writing centers, we often discuss cultural contact zones, but we have not yet fully recognized the contact zones that exist between digital and academic identities. In our workshop, we invited writers to consider the heteroglossic dialogue between their discourses in digital media and academic contexts through small-group activities involving students transforming academic text to tweets and Facebook posts. Ultimately, we posit that broadening our collective sense of what counts as writing and who counts as a writer will enable us to empower ourselves to broaden our identities as writers in an ever-evolving digital age.